2025: Highlights From The Worlds Of Music & Culture Journalism

Complex UK takes a look back at some of the best music and culture writing of the year.

Image via Complex Original/Artwork by Willkay
Image via Complex Original/Artwork by Willkay

Everything everywhere is on fire: institutions are being upended, AI is calling everything into question, and nothing in the future is certain. It’s in times like these that people tend to extol the value of culture—and they’re right—but tethering art to the times is just as valuable, and that’s where us journalists come in.

As the internet continues to speed things up and overload our brains with news, music, politics, art, and general noise, sometimes connecting to the past and digging into what came before can become a challenge. Old heads love to criticise the younger generations every time they’re unaware of a classic piece of music or an event, but it’s only with diligent and thorough storytelling that we preserve those connections. But above all, the value of taking in different perspectives cannot be underestimated.

A good cultural storyteller can give you the inside track and underscore the value of albums, songs, performances, TV shows, films, or whatever it is by giving you the story behind it all. Among the big music topics to be broken down this year, there was the blockbuster return of rap-brother duo Clipse; the whitewashing of Afro-house came out in the rinse, while Max B’s return home turned New York upside down. On the cultural front, Ryan Coogler’s horror flick, Sinners, became an instant hit, with think-pieces coming in thick and fast; one article about boyfriends being “embarrassing” shut down the ‘net for an entire month (tbh, it’s still going), while Hollywood can’t get enough of the British Rye Lane actor, David Jonsson.

With the rise of Substack, people are reading more and more these days—which can only be a good thing in this age of video-led content. And while some music and culture journalism has been called out for not being critical enough, there was still a lot of great reads over the course of the year. Here’s the best of what the Complex UK crew (and extended family) have been reading and rating in 2025.


Joseph ‘JP’ Patterson, EIC

Estelle’s ‘The 18th Day’: A Jewel In Black British Music’s Crown
Niall Smith, TRENCH Magazine
April 7, 2025

‘Sinners’ Is A Horror Film About The Highs And Lows Of The Black Experience
Andrew Lawrence, The Guardian
April 21, 2025

My Mellow, My Man: A Eulogy For Ego Trip’s Sacha Jenkins
Elliott Wilson, UPROXX
May 28, 2025

20 Years Of BBK: How One Crew Helped To Save Grime’s Day
Son Raw, TRENCH Magazine
Aug. 8, 2025

For Wretch 32, Home Is Where The Heart Is
James Keith, Complex UK
Sept. 23, 2025

Exclusive: Max B’s First Day Out
Frazier Tharpe, GQ
Nov. 18, 2025


James Keith, Contributing Editor

Hyper-Prolific Rapper Boldy James: ‘I Never Settled For The Cards Life Dealt Me. I’ve Always Been The Dealer’
Thomas Hobbs, The Guardian
June 11, 2025

David Jonsson On The Long Walk, Why Rye Lane Endures, And His Huge Ambitions
Ellen E Jones, Empire
Aug. 14, 2025

Central Cee: The British Invasion
Joseph ‘JP’ Patterson, Complex
Oct. 8, 2025

Oblig Is Bringing Grime Back To The Club
Fred Garratt-Stanley, DJ Mag
Nov. 6, 2025

Interplanetary Criminal Infiltrated The Mainstream, Now He’s Shaping The Underground
Nathan Evans, Mixmag
Nov. 24, 2025


Cee Valentina, Head of Social

In 2025, Let’s Retire Using Racist Coded Language & Other Problematic Terms To Discuss Music
Kyle Denis, Billboard
Feb. 25, 2025

Y2K Nostalgia Is Everywhere & UK Rappers Can’t Get Enough Of It
Alphonse Pierre, Pitchfork
March 21, 2025

Is Having A Boyfriend Embarrassing Now?
Chanté Joseph, British Vogue
Oct. 25, 2025

Black Britain Never Ever Ever Ever Ever Wants To Grow Up
Tianna The Writer, Substack
Nov. 16, 2025

If Beyoncé And Rihanna’s Bodies Still Get Picked Apart, The Problem Isn’t Them. It’s YOU.
Mimi The Music Blogger, Substack
Nov. 25, 2025


Chantelle Fiddy, Contributor

Gremlin In The System: Terror Danjah Was Grime’s Homegrown Futurist
Son Raw, TRENCH Magazine
Feb. 21, 2025

How Music Criticism Lost Its Edge
Kelefa Sanneh, The New Yorker
Aug. 25, 2025

Kojey Radical Will Never Look Down
Joseph ‘JP’ Patterson, HUCK Magazine
Sept. 17, 2025

“I’m Still Running After My Career Like Someone’s Chasing Me”: The Unstoppable Rise Of Raye
Laura Snapes, British Vogue
Sept. 17, 2025

The Great Regression
Rachel Grace Almeida, Resident Advisor
Sept. 25, 2025


Yemi Abiade, Contributor

The Blackout Electronic Music Roundtable: Kevin Saunderson, DJ Paulette, Lovie & Kwame Safo In Conversation
Kwame Safo, Mixmag
March 24, 2025

The Double Standards Of White And Black Genius
Craig Jenkins, Vulture
June 12, 2025

Clipse Had The Most Traditional Album Rollout In Years—And It Worked
Andre Gee, Rolling Stone
July 27, 2025

WHY I RATE: afrosurrealist
Niall Smith, TRENCH Magazine
Aug. 14, 2025

Earthy, Electric, Eternal: The Rise Of Neo-Soul
Janee Bolden, Okayplayer
Nov. 17, 2025


Son Raw, Contributor

Curren$y Is Keeping His Inner Child Alive
Thomas Hobbs, Stereogum
May 6, 2025

Introspekt x Blackdown
Martin Clark, Blackdown
July 1, 2025

The Burial Of Black Genius (A.K.A. D’Angelo Lives!)
Ahmir ‘Questlove’ Thompson, Rolling Stone
Oct. 30, 2025

Trap Lore Ross Has Overstepped The Mark
Yemi Abiade, TRENCH Magazine
Nov. 12, 2025

Tone Glow 199: billy woods
Minsoo Kim, Substack
Nov. 19, 2025


Niall Smith, Contributor

MIKE Knows A Thing Or Two About Showbiz
Mano Sundaresan, Pitchfork
Jan. 15, 2025

The Underground Artists Leading The UK’s Rap Revolution
Ezra Olaoya, Dazed
Feb. 28, 2025

‘Ear ‘Em, Scare ‘Em’: Why MC Ears Deserves More Flowers
Yemi Abiade, TRENCH Magazine
May 2, 2025

Luci Pina: How The Illustrator Created The Artwork For Kokoroko’s New Album
Alix-Rose Cowie, WePresent
July 14, 2025

Burial’s Last Interview
Dan Hancox, Substack
Sept. 25, 2025


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