When TLC released “Creep” in 1994, the trio wasn’t just dropping a catchy R&B single—they were shifting the entire sound of the decade. The track arrived as the lead single from CrazySexyCool, introducing a smoother, jazz-leaning, funk-infused approach that stood apart from their earlier new jack swing style.
Written and produced by Dallas Austin, “Creep” centered Tionne “T-Boz” Watkins’ unmistakable alto over a laid-back trumpet loop and a slinky hip-hop beat. It became TLC’s first No. 1 hit on the Billboard Hot 100, holding the top spot for four weeks and eventually earning a Grammy for Best R&B Performance by a Duo or Group with Vocals.
The song’s story—drawn from Watkins’ real-life experiences—sparked internal disagreements within the group, but its impact was immediate. The video, directed by Matthew Rolston and featuring the now-iconic satin pajamas, cemented “Creep” as one of the defining visuals of ’90s pop culture.
Over the years, it’s been ranked among the best R&B tracks of the era, praised for its production, vocals, and the group’s bold approach to telling a complicated story from a woman’s point of view. Even as TLC released massive follow-ups like “Waterfalls,” “Creep” remained a cornerstone of their catalog.
Three decades later, Watkins is returning to that legacy with a new purpose. The singer has partnered with Gilead to release “So We PrEP,” a reimagined version of the classic track designed to promote HIV prevention and sexual health education.
According to People, the song is part of Gilead’s Care for the Culture campaign, which aims to spark open, culturally grounded conversations about HIV prevention within Black communities—where the disparities remain drastic.
“In the ’90s, we used our platform to speak truth and empower people to love themselves. That mission hasn’t changed,” Watkins said in a statement. The rework turns one of TLC’s most recognizable melodies into an anthem built around empowerment, pride, and protection, echoing the group’s long-standing commitment to addressing real issues in their music. It’s a continuation of the work they began in songs like “Waterfalls,” which directly referenced the AIDS epidemic.
According to Gilead, only 14% of PrEP users in the U.S. are Black, despite Black communities accounting for 42% of new HIV diagnoses. By pairing a familiar TLC classic with a modern message, Watkins hopes to bridge that gap in awareness and access.